Early Music Faculty
Recorder
Jorge Isaac principal subject
Baroque flute
Anna Besson principal subject
Baroque oboe
Josep Domenech principal subject
Baroque bassoon
Benny Aghassi principal subject
Historical clarinet
Frank van den Brink subsidiary subject
Natural horn
Bart Aerbeydt principal subject
Natural trumpet, cornetto
Nicolas Isabelle principal subject
Baroque trombone
Joren Elsen principal subject
Baroque harp
Constance Allanic principal subject
Baroque violin and viola
Antoinette Lohmann principal subject
Emmanuel Resche-Caserta principal subject
Shunske Sato principal subject
Sayuri Yamagata principal subject
Baroque cello
Octavie Dostaler-Lalonde principal subject
Viola da gamba
Mieneke van der Velden principal subject
Violone
Margaret Urquhart principal subject
Lute, Theorbo
Fred Jacobs principal subject
Harpsichord and Clavichord
Menno van Delft section representative, principal subject
Miklós Spanyi harpsichord as a principal subject, historical improvisation as a subsidiary subject
Fortepiano
Olga Pashchenko principal subject
Organ
Pieter van Dijk principal subject
Matthias Havinga principal subject
Basso continuo
Kris Verhelst principal subject
Voice
Xenia Meijer principal subject
Subsisdiary Subjects and Répétiteurs
Elisabeth Concalves Ramos French
Laila Neuman declamation and gesture
Johan Hofmann harpsichord as a subsidiary subject & harmony in historica performance practice
Tilman Gey harpsichord as a subsidiary subject, répétiteur
Alessandro Pianu harpsichord répétiteur
Olga Pashchenko harpsichord/fortepiano répétiteur
Richard Bot gregorian chant
Rachel Farr renaissance and baroque dance
Andrea Friggi master elective
Peter van Heyghen historical treatises, retorica