Early Music Faculty

Recorder
Jorge Isaac principal subject

Baroque flute
Anna Besson principal subject

Baroque oboe
Josep Domenech principal subject

Baroque bassoon
Benny Aghassi principal subject

Historical clarinet
Frank van den Brink subsidiary subject

Natural horn
Bart Aerbeydt principal subject

Natural trumpet, cornetto
Nicolas Isabelle principal subject

Baroque trombone
Joren Elsen principal subject

Baroque harp
Constance Allanic principal subject

Baroque violin and viola
Antoinette Lohmann principal subject
Emmanuel Resche-Caserta principal subject
Shunske Sato principal subject
Sayuri Yamagata principal subject

Baroque cello
Octavie Dostaler-Lalonde principal subject

Viola da gamba
Mieneke van der Velden principal subject

Violone
Margaret Urquhart principal subject

Lute, Theorbo
Fred Jacobs principal subject

Harpsichord and Clavichord
Menno van Delft section representative, principal subject
Miklós Spanyi harpsichord as a principal subject, historical improvisation as a subsidiary subject

Fortepiano
Olga Pashchenko principal subject

Organ
Pieter van Dijk principal subject
Matthias Havinga principal subject 

Basso continuo 
Kris Verhelst principal subject

Voice
Xenia Meijer principal subject

Subsisdiary Subjects and Répétiteurs 
Elisabeth Concalves Ramos French
Laila Neuman declamation and gesture
Johan Hofmann harpsichord as a subsidiary subject & harmony in historica performance practice
Tilman Gey harpsichord as a subsidiary subject, répétiteur
Alessandro Pianu harpsichord répétiteur
Olga Pashchenko harpsichord/fortepiano répétiteur
Richard Bot gregorian chant
Rachel Farr renaissance and baroque dance
Andrea Friggi master elective
Peter van Heyghen historical treatises, retorica

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