Born and raised in L.A., but a diehard New Yorker for the past five years (drawn by “the music, art and energy, its motivating factor”), 28-year-old Michael Mayo finished work on his debut solo album Bones, on the Artistry Music/Mack Avenue Music Group, just before COVID hit. The tracks were cut live with his band — keyboardist Andrew Freedman, bassist Nick Campbell and drummer Robin Baytas, all of whom he’s played with since high school or college — at Figure8 Recordings in Brooklyn. Eli Wolf, a veteran Grammy®-winning producer of albums by Al Green, Norah Jones and The Roots, did the honors behind the board. “Being from L.A., I really know how to chill, but coming to New York has really kicked me into gear,” says Mayo.

The son of “first-call” session and touring musicians, Michael’s dad Scott Mayo was a saxophonist for Earth, Wind & Fire, among many others, and is currently the musical director for Sergio Mendes, while his mom Valerie Pinkston, now a back-up vocalist for Diana Ross, also sang with Beyoncé, Luther Vandross, Ray Charles, Whitney Houston and even alt icon Morrissey.

Bones is Mayo’s first full-length album under his own name after studying at the prestigious New England Conservatory of Music and the Thelonious Monk Institute — now named after Herbie Hancock, who mentored Mayo, helping him discover the link between sound and technology through a looper pedal, and showcased him as a featured vocalist on a tour of South America in 2018. “Self-transparency is important to me, not trying to placate the expectations of other people,” he says of his genre-defying, highly personal debut. “I wanted to find the things that resonated musically with me, working with people who can bring that vision to life.”

Like Bobby McFerrin, one of his major influences (who was a graduate of the same L.A. performing arts high school), Mayo approaches his voice as a musical instrument, but in often unexpected ways — with Brian Wilson-style pop harmonies (“Robot Man”), Stevie Wonder R&B (“Another Love”), drum and bass (“What’s My Name,” inspired by a line from poet e.e. cummings’ “Crepuscule”) and even hip-hop (“About Your Love”). Even with his classical training, Mayo’s music is a seamless blend of alternative and neo-soul elements, a unique combination that defies genre.