Recorder
Jorge Isaac principal subject
Hester Groenleer principal subject

Baroque flute
Anna Besson principal subject

Baroque oboe
Josep Domenech principal subject

Baroque bassoon
Benny Aghassi principal subject

Natural horn
Bart Aerbeydt principal subject, subsidiary subject

Natural trumpet, cornetto
Nicolas Isabelle principal subject, subsidiary subject

Baroque trombone
Joren Elsen principal subject, subsidiary subject

Baroque harp
Constance Allanic principal subject

Baroque violin and viola
Antoinette Lohmann principal subject
Emmanuel Resche-Caserta principal subject
Shunske Sato principal subject
Sayuri Yamagata principal subject

Baroque cello
Octavie Dostaler-Lalonde principal subject

Viola da gamba
Mieneke van der Velden principal subject

Violone
Shanti Nachtergaele principal subject

Lute, Theorbo
Israel Golani principal subject ad interim

Harpsichord and Clavichord
Menno van Delft section representative, principal subject
Miklós Spanyi harpsichord as a principal subject, historical improvisation as a subsidiary subject

Fortepiano
Olga Pashchenko principal subject

Organ
Laurens de Man principal subject
Matthias Havinga principal subject 

Basso continuo 
Kris Verhelst principal subject

Voice
Xenia Meijer principal subject

Subsisdiary Subjects and Répétiteurs 
Elizabeth Saint-Hilaire d’Olympe French
Laila Neuman declamation and gesture
Johan Hofmann harpsichord as a subsidiary subject & harmony in historica performance practice
Tilman Gey harpsichord as a subsidiary subject, répétiteur
Alessandro Pianu harpsichord répétiteur
Olga Pashchenko harpsichord/fortepiano répétiteur
Rens Tiestra gregorian chant
Rachel Farr renaissance and baroque dance
Andrea Friggi master elective
Peter van Heyghen historical treatises, retorica