* Electives

Classical Master Electives

If you want to register for an elective, please apply for a registration form to Tatiana Nunes Rosa.
Courses which have less than eight registrations before July 1, will be cancelled.

Do you know how many credits you must earn by taking electives? If not, please check the information on your principal subject or profile in the Classical or Early Music Master Study Guide.

You will see that some of the courses listed below are mandatory or recommended for students of certain principal subjects or profiles. In these cases, too, they will be counted to your electives package.

Each elective can be combined with others so as to create a connected package. The course descriptions below contain suggestions for such combinations under the header 'Related electives'.

2022-2023

Department	Subject	Teacher(s)
Classical Department	Advanced Rhythm	David de Marez Oyens, Rafael Reina, Jos Zwaanenburg
	Baroque Dance: Practice and Notation	Rachel Davies-Farr
	Building a Successful Professional Practice	to be announced, guest instructors
	Creative Performance Lab	Arnold Marinissen, Jorge Isaac, Jaco Benckhuijsen
	Electronic Music	Jorrit Tamminga
	From Lully to Boulez: Musical Life in Paris through the Centuries	Michel Khalifa
	Harmony and Analysis Practicum	Ward Spanjers
	History of the Early Music Movement	Mimi Mitchell
	History of the Orchestra	Johannes Leertouwer
	Instrumentation and Classical Arranging	Michael Langemann
	Intercultural Engagements in Music Composition and Performance	Harm Langenkamp
	Introduction to Gregorian Chant	Richard Bot
	Moving and Musicking with the Elderly	Jacqueline Koop, Ellen van Hoek
	Music for an Inclusive Society	Ben Hekkema
	Music on Prescription: The Role of Music in the Well-Being of Patients in Hospitals	Julia Bitter, Iris van Doggenaar
	Music Theatre and Stage Performance	Jorge Isaac, Virag Deszö
	The Musical Body	Marja Mosk
	The Musical Mind: Issues in Music Psychology	Marieke Oremus, Maaike Vertregt
	Musical Texture	Amit Gur
	New Methodologies for Music Research	Mimi Mitchell
	New Perspectives on Music Pedagogy	Reinhard Findenegg
	Orchestral Practice and Audition Training	David Peralta
	Patterns of Performance: The Neuroscience of Improving Experts	Beorn Nijenhuis
	Sources and Resources: From Manuscript to Edition	Andrea Friggi
	Style in the Performance of Classical and Romantic Repertoire	Johannes Leertouwer
	Technological Strategies in Composing and Performing	Arnold Marinissen
	Transdisciplinary Approaches: Composing Time & Space	Thanasis Deligiannis
	Tuning and Temperament	Jorge Isaac, Jonas Bisquert

Jazz Department	to be decided yet

Students may choose the following courses for individual credits (but NOT) for master elective credits:

Subject	Teacher(s)
Introduction to Advanced Rhythm	Jos Zwaanenburg, Jonas Bisquert, Kristina Fuchs, Andys Skordis