Jazz progressions: voicing theoretical and historical perspectives

14 February 2025 - CvA Blue Stage

On the occasion of Barbara Bleij’s defence at the University of Amsterdam of her dissertation, ‘An Annotated Theory of Tonal Jazz Harmony’, the Music Research Division organises an international symposium on Friday, 14 February 2025.

The symposium will highlight different layers of Barbara’s research: the development of jazz harmony as a musical practice, a pedagogical practice, and a research field. In addition to Barbara herself, members of her international doctoral committee, colleagues and students of the Conservatorium van Amsterdam will also contribute to the symposium.

Would you like to attend? Then sign up here!

More about Barbara Bleij's research project

Programme

9.30	Walk-in and registration	Mezzanine
10.00	Opening by Michiel Schuijer	CvA Blue Stage
10.15	Joris Roelofs - What is improvisation?	CvA Blue Stage
11.00	Coffee break	Mezzanine
11.15	Walter Stuhlmacher - Let the Dolphin Dance: A Music-Theoretical Exploration of the Poetry in Herbie Hancock's Classic
12.00	Leonardo Boccardo (CvA student) - Inverted pedal points in Mark Turner's Improvisational language	CvA Blue Stage
12.45	Lunch break	Mezzanine
13.45	Keith Waters - Postbop Procedures in Two Kenny Wheeler Compositions
14.30	Tony Whyton - Jazz, Dissonance, Resolution: reflections on the place of music theory in New Jazz Studies research	CvA Blue Stage
15.15	Tea break	Mezzanine
15.45	Barbara Bleij - Okay, but does it also work in theory?	CvA Blue Stage
16.30	Music: Nicolò Ricci (tenor sax), Emanuele Pellegrini (piano), Anja Gottberg (bass), Giacomo Camilletti (drums)	CvA Blue Stage
17.00	Closing by Walter van de Leur	CvA Blue Stage
17.15	Drinks	Mezzanine