Walter van de Leur
Dr. Walter van de Leur is de eerste hoogleraar Jazz en Improvisatiemuziek in Nederland aan de Universiteit van Amsterdam (UvA) namens het Conservatorium van Amsterdam (CvA), waar hij Associate Lector (Senior Researcher) is. Hij is mede-oprichter van het master-onderzoeksprogramma van het CvA en doceert diverse keuzevakken jazzhistoriografie. Ook is hij lied van het projectteam van de Academy for Musicology and Musicianship Amsterdam (AMMA).
Van de Leur is een internationaal erkende expert op het gebied van de muziek van Duke Ellington en zijn samenwerkingspartner Billy Strayhorn. Hij is auteur van Something to Live For: The Music of Billy Strayhorn (Oxford UP, 2002; winnaar van de Irving Lowens Book Award for Distinguished Scholarship in American Music). Daarnaast heeft hij bijdragen over Strayhorn en Ellington geschreven voor de Duke Ellington Studies Anthology (Cambridge UP), Musicians and Their Audiences (Ashgate), Strayhorn: An Illustrated Life (Agate), Cambridge Companion to Duke Ellington, Grove Dictionary of American Music (Oxford UP), International Dictionary of Black Composers (U. of Chicago Press) en Musical Quarterly.
Van de Leurs werk richt zich verder op de geschiedenis van de jazzreceptie en op jazzhistoriografie. Zijn werk kijkt naar hoe verschillende belanghebbenden (musici, publiek, critici en beleidsmakers) spreken over jazz en daarmee impliciet ideeën vertegenwoordigen over de betekenis van het genre. Die ideeën komen tot uiting in cultuurpolitiek, onderwijs, publicaties, etc. Zijn recente boek Jazz and Death, evenals de verwachte Oxford History of Jazz in Europe zijn receptiestudies
Per januari 2024 is Van de Leur co-hoofdredacteur van Jazz Perspectives (Taylor and Francis).
Hij is nauw betrokken bij interdisciplinair en praktijkgericht onderzoek. Hij was onderzoeker voor zes baanbrekende opnameprojecten rond herontdekt jazzwerk van Strayhorn, Mary Lou Williams, Gil Evans en anderen (uitgebracht op Challenge Records).
Van de Leur was leider van het Nederlandse aandeel in twee door de Europese Unie gefinancierde onderzoeksprojecten: Rhythm Changes: Jazz and National Identity, en CHIME (Cultural Heritage and Improvised Music in European Festivals). Hij heeft academische jazzcongressen geleid voor Rhythm Changes (de grootste jazzconferentie in het vakgebied),CHIME Music, Festivals, Heritage Conference in Siena (Italië) Ook was hij co-leider van de tweeëntwintigste International Duke Ellington-conferentie in Amsterdam.
Publicaties
Books
Forthcoming [2024–30] The [Oxford] History of Jazz in Europe. Founding editor. Five-Volume Edited Set: Vol. 1, Arrival and Early Reception, 1918–40; Vol. 2, The Second World War, 1940–45; Vol. 3, Conflicting Ideologies and Agendas, 1945–65; Vol. 4, New European Idioms, 1965–90; Vol. 5, Globalization and Fusions, 1990–2010 (New York: Oxford University Press).
2023 Jazz and Death: Reception, Rituals, and Representations. Transnational Studies in Jazz Series (New York: Routledge). Nominated for the 2023 Jazz Journalists Association Book of the Year Award in the category History/Criticism/Culture
2011 NL Real Book, Vol. 1. Founding editor. Amsterdam: Music Centre Netherlands. Co-editors Maarten van der Grinten and Michael Moore.
2002 Something to Live For: The Music of Billy Strayhorn (New York: Oxford University Press); Winner of the 2003 Irving Lowens Book Award for Distinguished Scholarship in American Music (Society of American Music); Winner of the 2003 Award for Best Research in Recorded Jazz Music (Association of Recorded Sound Collections)
Articles, Book Chapters, Reviews
Forthcoming [2024] ‘Fifty years of JazzForschung at the Institute for Jazz Research.’ JazzForschung 52.
Forthcoming [2024] ‘Is Jazz in Europe European Jazz? Countries, Continents, and Cultural Ownership.’ In the Routledge Companion to Diasporic Jazz Studies, edited by Bruce Johnson, Ádám Havas, and David Horn (New York: Routledge).
2019 ‘"Building on the Power of the Past": Discourses Surrounding the North Sea Jazz and Punda Jazz Festivals in Curaçao’ (with Bethanie Aggett). International Journal of Heritage StudiesSpecial Issue: Cultural Heritage & Improvised Music in European Festivals.
2018 ‘Swan Songs: Jazz, Death, and Famous Last Concerts.’ Book chapter, in The Routledge Companion to New Jazz Studies, edited by Tony Whyton, Nick Gebhardt, and Nicole Rustin, 55–64 (London: Routledge).
2018 ‘The Reception and Development of Jazz in the Netherlands (1945–1970s).’ Book chapter, in Politics and Cultures of Liberation: Media, Memory, and Projections of Democracy, edited by Hans Bak, Frank Mehring, and Mathilde Roza, 177–91. Radboud Studies in Humanities, vol. 7 (Leiden: Brill).
2017 ‘CHIME Travelling Exhibition: A History of Dutch Jazz Festivals in Thirty-Some Objects.’ Exhibition Guide. With Bethanie Aggett and Loes Rusch. Amsterdam: CHIME.
2017 ‘"People Wrap Their Lunches in Them": Duke Ellington and His Written Music Manuscripts.’ Book chapter, in Duke Ellington Studies Anthology, edited by John Howland, 157–76 (New York: Cambridge UP).
2017 ‘Swinging in Heaven, Boppin’ in Hell: Jazz and Death.’ Book chapter, in Singing Death: Reflections on Music and Mortality, edited by Helen Dell and Helen Hickey, 76–89 (London: Routledge).
2016 ‘"Moved to the Point Where She Could No Longer Contain Herself’: Ellington and Audience Interaction at the Newport Jazz Festival.' Invited Afterword, in Musicians and Their Audiences: Performance, Speech, and Mediation, edited by Ioannis Tsioulakis and Elina Hytönen-Ng, 195–8 (Burlington VT: Ashgate Press).
2016 ‘Curaçao North Sea Jazz Festival: Marketing and Branding Jazz Heritage.’ With Bethanie Aggett. In Festivals as Integrative Sites: Valuing Tangible and Intangible Heritage for Sustainable Development, edited by Beth Perry, Laura Ager, and Rike Sitas, 12–13 (University of Sheffield).
2016 ‘Swan Songs: Jazz, Death, and Famous Last Concerts.’ Conference Proceedings, in Jazz Cosmopolitanism, edited by Hui Yu, 75–84 (Hangzhou: Zhejiang University Press).
2016 ‘Van Stan Kenton tot Pat Boone: Rhythme 1949–1961.’ Jazz Bulletin 100 (Dec.): 36–45.
2015 ‘Take the “A’ Train” and 37 vignettes on Billy Strayhorn compositions.’ In Strayhorn: An Illustrated Life, edited by Alyce Claerbout and David Schlesinger, 16, 18, 26, 31, 38, 41, 46, 48–9, 56, 62, 66, 71, 74, 83, 87, 90, 92, 94, 99, 104, 112, 120, 123, 125, 131, 133, 138, 143, 146, 149, 153, 158, 160, 163–4, 166, 168, 170, 172 (Chicago: Agate Publishing).
2014 ‘"Seldom Seen, But Always Heard": Billy Strayhorn and Duke Ellington.’ Book chapter, in The Cambridge Companion to Duke Ellington, edited by Ed Green, 186–96 (New York: Cambridge UP).
2013 ‘Evans, Gil’; ‘Raeburn, Boyd’; ‘Strayhorn, William Thomas “Billy”’; ‘Thornhill, Claude.’ In The Grove Dictionary of American Music, 2nd Edition, edited by Charles Hiroshi Garrett (New York: Oxford UP).
2013 ‘Your Music Has Flung the Story of “Hot Harlem” to the Four Corners of the Earth! Race and Narrative in Black, Brown and Beige.’ With Lisa Barg (McGill University). Musical Quarterly (Fall-Winter) 96 (3–4): 426–58.
2013 ‘Jazzophielen versus Muziekkwakzalvers: De Jazzwereld 1931–1940.’ Jazz Bulletin 89 (Dec.): 44–51. Revised reprint from Liber Plurium Vocum voor Rokus de Groot, 2012.
2012 “'Zuivere Jazz” en “Muziekkwakzalvers”: De Jazzwereld 1931–1940.' Book chapter. In Liber Plurium Vocum voor Rokus de Groot, edited by Sander van Maas, Carolien Hulshof, and Paulien Oldenhave, 128–38. Amsterdam: Amsterdam UP. Originally appeared as ‘"Pure Jazz" and “Charlatanry”: A History of De Jazzwereld Magazine, 1931–1940.’ In Dan Morgenstern Commemorative Festschrift, 2012.
2012 Introduction as Guest Editor to Jazz Perspectives Thematic Issue on Duke Ellington. Jazz Perspectives 6: 1–2, 1–3.
2012 ‘"Pure Jazz" and “Charlatanry”: A History of De Jazzwereld Magazine, 1931–1940.’ In Dan Morgenstern Commemorative Festschrift, edited by Michael Fitzgerald. Current Research in Jazz 4 (http://www.crj-online.org/v4/CRJ-Jazzwereld.php).
2012 ‘Improvisatoren versus Cliché-machines: Jazzwereld 1965–1973.’ Jazz Bulletin 82 (Mar.): 30–7.
2010 ‘Duke Ellington, Mary Lou Williams, The River, and Chief Natoma.’ DEMS Bulletin, vol. 32 (Aug.–Nov.) depanorama.net/dems/102b.htm.
2010 ‘Swingende geschiedschrijving: Mythen van de jazzgeschiedenis ontzenuwd.’ Review. Academische Boekengids, Amsterdam UP (May): 21–3.
2009 Jazz behind the dikes: Vijfentachtig jaar schrijven over jazz in Nederland. Oratiereeks (Amsterdam: Amsterdam UP).
2009 ‘De beat: what are we talking about?’ Gregoriusblad 133 (Mar.): 1, 6–9.
2003 ‘A Jungle at Duke’s Place? Titles, Credits, and the Secondary Literature.’ Blue Light (Winter): 14–15.
2003 ‘The Oxford Companion to Jazz.’ Review. Tijdschrift voor Muziektheorie (Feb.): 83–5.
2003 ‘Neder-bop en Neder-hop: Jazz in Nederland en het multi-culturele vraagstuk.’ Alternate Take 41 (Reacties op ‘Jazz en ethiek’). https://cobussenma.files.wordpress.com/2011/10/jazz_en_ethiek.pdf
2001 ‘The “American Impressionists” and the “Birth of the Cool.”’ Tijdschrift voor Muziektheorie (Feb.): 18–26.
2001 ‘Frans Elsen,’ ‘Peter Nieuwerf,’ ‘Wouter Turkenburg.’ In Koninklijk Conservatorium 175 jaar: Traditie / Ontdekking / Vernieuwing, edited by Wennekes, Emile, 52–3, 76–7, 84–5 (Den Haag: KC).
2001 ‘Annual Review of Jazz Studies.’ Review. Jazz Research News (Feb.): 56–7.
2000 ‘Scores of Scores: Einige Anmerkungen zu Manuskripten der Billy Strayhorn und Duke Ellington Sammlungen in den USA.’ In Duke Ellington und die Folgen, edited by Wolfram Knauer, 225–47 (Darmstadt: Jazz-Institut Darmstadt and Wolke Verlag).
1999 ‘Billy Strayhorn.’ In The International Dictionary of Black Composers, Vol. 2, edited by Samuel A. Floyd Jr., 1077–85 (Chicago: Columbia College of Chicago Press).
1995 ‘Een pakhuis vol papier: De Duke Ellington Collection.’ Jazz-Nu (Mar.): 14–15.
1995 ‘Billy Strayhorn: Een leven in de schaduw van Duke.’ Jazz-Nu (Mar.): 16–18.